August 08, 2008

Chronicles of a T-Shirt: VOTE

In May, I bought my first political t-shirt. It says, "VOTE" in bold, black letters. I wear it like I wear any other t-shirt; that is, I throw it on and forget about it. However, each time I wander the city, someone approaches me, eager to share their views on the election. The conversation always starts the same:

"Who are you voting for?"

"Obama."

And then things get interesting.

In my first encounter, one of the men who loiters on my corner told me not to vote, that it didn't matter. I spared him the "one man can make a difference" maxim and instead mentioned how close the previous two presidential elections were. But that's not what he meant. What he meant was that the nation is controlled by a secret society of the wealthy elite. This was not an argument I was prepared for. Flip-flopping, yes. Inexperience, yes. But a fraternity of old, white men giving the thumbs down left me rather blank-faced.

"Look it up," he said. "The Templars."

It just so happened I knew more about the Templars that day than most days because I was reading Umberto Eco's Foucault's Pendulum, but I didn't say anything. For starters, I was having trouble getting into the novel, so my knowledge was limited to the first eighty pages. But more importantly, I see these corner men everyday, and I like our tepid friendliness. I was a little disheartened, though. If people in West Harlem weren't voting, who was? A block later, I ambled by the dollar store and saw Obama t-shirts in a bin out front.

*

My most recent t-shirt encounter took place in the Strand downtown that is going out of business. (FYI, everything is 50% off.) I was making a beeline for the poetry section when a man stopped me to ask,

"Who are you for?"

I almost said the Yankees because I had been thinking about the game that night, how I couldn't get tickets, more specifically, but I paused long enough to remember my t-shirt.

"Me, too," he said. "But I don't think he'll win."

This defied the general perception, I thought, and I said so. 

"Well, a lot of people from my generation, a lot of baby boomers, are resentful of affirmative action."

He went on to give a break-down of how he thought the country would vote, then sent me on my way.

*

I'm starting to look forward to these glimpses into the voting mind. My t-shirt's looking a little ratty, though, and I hope it makes it to November.

August 07, 2008

Important PEN Event Tonight (August 7th)

Bringing Down the Great Firewall of China: Silenced Writers Speak on the Eve of the Olympics
with Edward Albee, Francine Prose, Jessica Hagedorn and others

7pm @ The New School's Tishman Auditorium: 66 W. 12th St., NYC
co-sponsored by The New School Graduate Writing Program

Go HERE for complete information. You can also sign the "Freedom of Expression" petition to the Chinese government.


June 27, 2008

Dalmatians

Simon Rich should be in every issue of The New Yorker: "Animal Tales"

May 19, 2008

The Art of Selling Out

When I first saw The Gap ad in the New Yorker, I thought the artists (some of whom I quite like such as Kiki Smith) had designed t-shirts for various charities. But after closer inspection of the ads and a visit to the website to confirm my suspicions, it seems these artists have designed t-shirts solely for their own and The Gap's profits. SEE PRODUCTS HERE.

I expressed my dismay to a friend who all but yawned. Apparently (I hadn't heard!), that's what artists do these days. And, really, why am I happy for an artist selling her paintings, but irritated at her for selling t-shirts? Or (a better comparison) posters? This is an easy way for the artists to promote themselves. Shoppers who would have otherwise never heard of these artists may seek out their other work.

Side note: Are fashion designers angry that sculptors, et al. are essentially claiming this fashion stuff is easy? Like when rock stars pen books of poems.

I do enjoy the irony of Rirkrit Tiravanija's t-shirt, which reads, "The days of this society is numbered." I wonder how quickly this one is flying off the shelves at small-town malls. And maybe I'm just jealous that poets can't sell out (or at least not as easily), although I'm already forming a list of poets who would make great Gap ad models. Frederick Seidel's t-shirt could read "I spend most of my time not dying," accompanied by that cover portrait on Ooga-Booga.   

April 22, 2008

B'Earthday 2008

"Nature is loved by what is best in us."--from Emerson's "Nature" essay

April 15, 2008

Exciting Guernica Info

First, there are new poems by Amy Hegarty, HERE. A bit reminiscent of William Blake, perhaps?

Teaser: "Beautiful baby / With your head cut off / Why didn’t they bury you then?"

Also, Guernica is sponsoring two PEN World Voices events, both of which are going to be worth your time.

Tuesday, April 29th
Crisis Darfur: A Conversation with Mia Farrow and Bernard-Henri Lévy
8 p.m.: The French Institute, Alliance Française ($15/$10 students)

Friday, May 2nd
Leaving Home: With Dinaw Mengestu, György Dragomán, and Saša Stanišić. Moderated by Irina Reyn.
5:30 p.m.: Austrian Cultural Forum (FREE, but reservations required)

Click HERE for more information.

March 17, 2008

War Made Easy

www.warmadeeasythemovie.org

February 21, 2008

March 6th Concert

As promised, here are some details about the March 6th Matrix concert, which will premiere a composition by Karen Siegel using some of my poetry. How cool is that?

The evening begins with an opening,

New York Reveries featuring Albert Fayngold and Elsie Taliaferro Hill, from 6 to 8pm, 

followed by Song with Words in New York, performed by Matrix Music Collaborators.

Music will include:

Samson Young "ROXY.NEW YORK" for amplified string quartet, electronics and video
Philip Glass "Wichita Vortex Sutra"
Karen Siegel "Leora Courting Rivers" with original poetry by Erica Wright
Paul Wiancko "Hip-Hop Cello Concerto No. 1"

Venue:
Nabi Gallery
137 West 25th Street
New York, NY 10001 
www.nabigallery.com
8PM
Ticketing: Online $10 / Door $15

There will be a reception post-concert.

You can now purchase tickets online, HERE. I hope to see you there!

For more information about Matrix Music Collaborators, please visit: www.thematrixmusiccollaborators.com

February 14, 2008

Recommended: New Perspectives on Latin American Art

For Christmas, my folks gave me a membership to the Museum of Modern Art, which means I can breeze in and out without the usual anxiety of getting my money's worth. This anxiety is particularly acute at the Guggenheim where I feel like I should pack a bag and set up camp. In any case, a friend and I breezed into the MoMA this week to see the exhibit "New Perspectives on Latin American Art." Although Vik Muniz's "Narcissus, After Caravaggio" and Lygia Pape’s “Book of Creation” are what made the trip worthwhile, Victor Grippo's "Life, Death, and Resurrection" is the one I keep wrestling with. Three found-object sculptures--a worm-eaten log, metal shapes leaking beans, and a violin leaking corn--presumably represent the three phases. If we can assume death is in the middle, then which is life and which is resurrection? More importantly, does it matter if you can't tell life from resurrection?

February 05, 2008

Super Tuesday

There's an infectious giddiness in the air surrounding the elections. Perhaps I've just reached an age where my peers care about issues like health care, but I don't think so; this election is something special. Yes, it's true that one of my students asked me on Friday, "What's the name of the African-American running for president," but the class then agreed that whatshisname was one of the reasons this election is exciting. And when I asked four small groups to decide on a public figure they collectively admired, Hillary Clinton was one of the four. (Oprah, Jay-Z, and Keisha Cole--whom, to be honest, I've never heard of--rounded out the roster.)

In my life, this giddiness has translated into daily reading of op-ed pieces in the New York Times. Did anyone catch Gloria Steinem's January endorsement of Clinton ("Women Are Never Front-Runners")? Even with that faux pas allusion to Edward Kennedy's endorsement, it's a convincing piece. Last Sunday, Professor Stanley Fish contributed a smart look at "Hillary haters" ("All You Need Is Hate"). An additional Sunday contribution was from Frank Rich who outdid himself with a non-endorsement look at the two Democratic contenders ("Ask Not What J.F.K. Can Do For Obama"). In my own political fervor, I didn't even mind his questionable appropriation of the word poetry: "In other words, Kennedy needed two things. He needed poetry, and he needed a country with some desire, however vague, for change." You know, in case you missed them. Happy Voting!

Tangent: I saw more than one unquestionably manly man from the Giants team cry Sunday night, so what's the big deal about a few moments of welling up from a politician?